![]() The cards were sent by Leslie, Bobert, and Darwin. This is further elaborated when Gumball compares the way they treat each other and their other friends, such examples include Gumball being hospitalized for a broken leg and reading Get Well cards as he recovers. Tobias emerges from behind the bench and kisses Gumball's forehead and declares victory as he walks away, nonetheless leaving the boys in shock, especially Gumball.Īfter this shock, Gumball realizes that he has stumbled upon an epiphany: Tobias is not good enough friends with him, which is the reason why Gumball cannot pick up on how Tobias is trying to join in their playful insults. After Darwin comments about not needing to see his ego showing immense love to itself through self-smooching, Gumball playfully tries to kiss Darwin, to which his brother responds by doing the same resulting in a kiss fight without the direct contact. The scene then cuts to the brothers sitting on a bench, the feline now reverted to his normal self. From outside, Darwin concludes that his ego is normal. Despite warning Darwin not to pry at showing any more layers of personality, a massive creature comes out of the body and eventually grows to the size of their house while Darwin makes an escape. The personality fragment confesses that his aggression is because he is scared of the one thing behind all of them: Gumball's ego. By attacking Optimism, it is hinted that Gumball's aggressions come from fear deep enough that could harm his usual optimism. Another fragment of his personality comes out of Humor's body under the name of Fear, which is bigger than Humor, and another fragment pops out under the alias of Optimism however, the aforementioned personality fragment crushes Optimism. This is a possible hint that a portion, or all, of Gumball's humor stems from a level of anxiety. This being introduces himself to Darwin under the name of Humor and tells a joke (even if the punchline was himself) however, Humor begins to cry and come out of his facade when he removes his orange nose to reveal another layer of Gumball's personality: anxiety. Darwin thinks Gumball's problem might be his personality and then they go to their house to evaluate it.Īt their house, Darwin suggests uncovering each layer of Gumball's personality which leads to a yellow, jolly being to come out of Gumball's body. Darwin, confused, asks why Gumball makes that face every time Rocky is around only for Gumball to clarify that it is because of Tobias' comments. In the cafeteria, Gumball attempts to pull a trick in which he flips a bottle of soda with intentions to have it land on the bottom however, it lands in the spaghetti and the bottle sprays soda all over him.Īt this point, the brothers start to make fun of Gumball's tendency of being a loser, but Tobias once again tries to join in leading to Gumball being disgusted once more. The brothers are then seen in the hall mocking Gumball's weakness after he drops a pile of books that he was attempting to place in his locker with a renewed sense of humor, but when Tobias walks by and tries to insult him as well, Gumball once again shows a facial expression indicating disgust. The episode starts with Gumball and Darwin in the locker room where Gumball makes fun of his weight gain by manipulating the fat into a face and Darwin joins his brother in playfully insulting his weight as well however, Tobias then comes and mocks Gumball's belly fat as well, much to Gumball's disgust. Image via details about the plot or story are up ahead Image via Egon Schiele - Two Girls Embracing Two Friends 1915. Image via Pablo Picasso - Le Baiser (detail), 1925. Featured image: Antonio Canova - Psyche Revived by the Lover's Kiss (detail) , 1787-1793. The kiss art paintings and artworks that follow bellow, display the diversity of both the mediums and the understanding of love’s nature.Īll images used for illustrative purposes only. Be it as it may, artists often used the act of kissing as an allegory to another to theme. Sometimes the kiss painting depicts a violent, almost cannibalistic act, while others attempted to showcase the poetics of love. It is no wonder that the moment of such closeness caught the attention of numerous artists. The act of kissing is considered as one of the most intimate acts two figures can share between each other. Defined as a symbol of life, renewed passion, the beginning of an erotic, or of intimacy, the kiss in art tells not only the tales of love but the stories of protest or even of separation. Over a course of art history, painters, sculptors, poets, and photographers have used their imagination to bring the kiss to art.
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